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Opening reception: FRIDAY, Nov. 7, 2014, 5-8pm

Michael Hoffman: Rhythms and Place

Michael Hoffman draws on his eclectic past for inspiration. He is strongly influenced by his travels throughout Spain and France and rich colors and textures marked by time. His artwork is collected by individuals and corporations worldwide.

Says Hoffman of his work: "My paintings are meditative studies done with rich colors and bold graphic compositions. I try to create work that both captivates and calms. A common theme in my painting is the relationship between rigid linear form and the organic flow of nature. My pieces are also about the act of painting itself. Many times there is strong evidence of my physical relationship to the canvas as I paint, using my body motion as a natural pendulum and the random arcs of my markings. I apply multiple rounds of color glazes giving the work a richly colored, almost glass-like surface. By virtue of the tactile painting surfaces and transparent and linear handling much of the process is revealed that can be traced chronologically. This leaves the paintings with a sense of history and 'archeology'."

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Also featuring:

Kathleen Waterloo: GLOBALocal

Waterloo creates encaustic paintings (encaustic: the ancient technique utilizing pigment mixed with molten beeswax) which are color-based architectural fantasies. Responding intuitively to her passions for and intellectual interest in the design of man-made human environments, Waterloo creates color formed space that blurs the line between 2 dimensional and 3 dimensional perception.

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Also featuring:

Michael Dubina: Matchbooks

Michael Dubina is best known for his large scale panoramic works, but his newest landscape paintings are rendered in minute, evocative and visionary detail. These jewel-like works embody at once a sense of magic realism and an expansive, romantic expressionism. The images are painted with traditional oil techniques on the inside of matchbook covers, and are floated in over-sized black frames which compliment the physicality of the painted object.

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Gallery Spotlight: Encaustic Painting at Addington Gallery

Excerpted from Chicago Art News

I asked Dan Addington if I could write about his gallery in my own words based on a number of conversations we’ve had. It’s fun talking to Dan about encaustic art because he’s passionate about the medium and the way each artist uses it differently.

Let's step back and start with the basics of encaustic painting. Point one, it’s ancient, dating back to the 4th century BC.

And point two: painting with wax is very hard to do, it’s hard to control, and you have to work fast because wax goes from molten-lava-hot to dried candle wax in about 10 seconds. And like other mediums in which it’s difficult to master the basics, when a medium like this grows in popularity, a lot of the practitioners get lost in the technique, they become “Encaustic Painters” rather than artists who have to be working with Encaustic materials. And with this popularity, classes follow, which evolve into academic studies and before you know it…. there are a whole lot of rules.

Dan Addington is, himself, an encaustic painter – and he’s been doing it a long time, before it got trendy. In turn, he’s a fan of Howard Hersh, Mark Perlman and others who have been doing it even longer than him, before the schools and the hobbyists got their hands on it. Before the rules were written. So Addington’s aesthetic, and Encaustic posse could possibly be defined in that way: pre convention.

Addington builds his paintings up layer by layer, drawing on and gouging into the surface, adding oil paint, tar, fabric and other odd materials into the mix, which gives the work a very textural feel.

Now, Howard Hersh, who was featured in a recent exhibit and is represented by the gallery, is also pre-rules, yet he has a completely different approach, and balances the geometric with the inherent chaos of encaustic.

So how to tell the Encaustic painters from the artists who work with wax? Addington gravitates to work that has a conceptual level to it, artists who are going for a specific idea, and not just expressing their feelings through random splashes of color.

As Addington pointed out, “Encaustic has a visual archaeology that exists in each piece. Because you can see the translucent layers, it opens the door to the process. With much painting, the top surface is often the only surface the viewer can access. With encaustic, you can dig down through the layers and see the history…”




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    Representing contemporary American and International artists


    Addington Gallery is located in the historic River North Gallery District in Chicago.
    Open 11:00 - 6:00 Tuesday through Saturday, and by appointment
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    Addington Gallery features artists who work in a wide range of contemporary styles, subjects, and mediums. The gallery also offers a full range of services, including installation, painting restoration and conservation, framing consultation, and corporate curating.